Politics and society

This module responds to these questions with an introduction to third wave feminism and queer theory. This lecture/ seminar series introduces you to key aspects of modern and postmodern thought, culture and theatre. It aims a) to examine historical and cultural contexts, and b) to explore and analyse the theoretical and culture concerns and practices which have been understood as modernist and postmodern.

  • Students will be asked to write a 1000 word essay analysing the show and drawing on the language of Performance Analysis and Ensemble Practice, which are introduced and explained in the seminar discussions.
  • Register interest in your chosen subject to receive notice of graduate open days, events and more.
  • Research or working experience that is relevant to your proposed study may provide further evidence of your academic potential.

You must be able to express a well-informed interest in theatre and performance theory and practice. I come from Romany Gypsy heritage, I would say that if you are from that community that higher education is for you, and you can feel included in educational spaces. I really enjoyed my time at Goldsmiths, I found the experience supportive throughout and my lecturers really helped me to grow. I have always struggled with formal education and I always felt as though I could express these emotions and felt guided in the best direction.

The degree equips you in a wide range of careers in the arts, charities, education, and beyond. We believe that open discussion with experts and the recognition of the causes of problems is a necessary ffs-dz.com presumption for any successful solution to political and social problems. Applicants are advised that we will not expect the personal statement to be tailored to this particular degree.

International Baccalaureate

Membership is only £3 a year and offers automatic access to our member-only events and early-bird access to our open events. Additional applications to selected research courses that are closely related to your first application. It will be normal for your ideas subsequently to change in some ways as you investigate the evidence and develop your project. You should nevertheless make the best effort you can to demonstrate the extent of your research question, sources and method at this moment.

You will each take a specific role in contributing to the project dependent on the Scenographic Discipline you have elected. Each company, therefore, will comprise of a team of specialists in a range scenographic practices. As individual audience members, artists, participants, or students, we engage our imaginations and creativity to help us understand ourselves and the world around us. This degree is ideal if you have a passion for using performance for social change. You will learn performance and facilitation skills, while exploring the ideas that underpin them.

Weekly topics will address the diversity of alternative theatre practice in the late 20th century, including, for example, experimental, political, community, black and asian, gay and lesbian, and disability theatres. All International applicants to Undergraduate programmes are required to pay a deposit of £2,000 against their first year’s tuition fee. This deposit is payable when you firmly accept an unconditional offer to study with us, and will be offset against your tuition fees when you join King’s. King’s College London reviews the modules offered on a regular basis to provide up-to-date, innovative and relevant programmes of study. This programme is intended for those who aspire to a professional career in addressing climate change in the public, private, and not-for-profit sectors.

Our diverse range of spaces is mostly in the Richard Hoggart Building on Goldsmiths’ campus. Your programme offers you a hands-on experience, allowing you to be trained in lighting, costume, set design, and stage and theatre management. We offer a wide range of scholarships and bursaries, and our careers service can also offer advice on finding work during your studies.

You will be encouraged to explore, to take risks, to be self-reflexive and critically engaged. You will engage in depth with your specialist area through a series of workshop/seminars, related self-led, option-based learning exercises and critical reading. Running in parallel to these classes you will have a series of Personal and Professional Development workshops with alumni artists working in the different areas. There will be Supervised Rehearsals and Tutorials in which a tutor attends and observes your company, offers feedback on your work, consults you on your process and guides you in areas where you may have questions. These will be timetabled and organised in advance and it is the responsibility of the company to make sure they use the time with the tutor wisely. The technical team will guide your work in the Scenography workshops by arrangement, .

Institute for Politics and Society

This module introduces a range of key theoretical perspectives that can be used to analyse a range of playtexts. The module also examines some of the major interventions in theatre over the centuries in order to assess the creative developments and outcomes in the light of key playwrights and theorists. Students will be asked to engage in textual analysis of individual plays, considering the contextual influences of history and culture as well as genre and form. A variety of approaches are covered, which can be used either individually or in conjunction, with the intention of providing the student with the tools necessary for rigorous critical and conceptual interpretation.

Funding opportunities

An undergraduate honours degree is made up of 360 credits – 120 at Level 4, 120 at Level 5 and 120 at Level 6. If you are a full-time student, you will usually take Level 4 modules in the first year, Level 5 in the second, and Level 6 modules in your final year. Some programmes also contain 15-credit half modules or can be made up of higher-value parts, such as a dissertation or a Major Project. You will be encouraged to be experimental to take risks and push the boundaries of contemporary performance making and thinking. This module aims to provide the space for you to build on your previous learning, as well as to broaden your understanding of performance practices and history.

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